Wolfgang Amadeus Mozart (1756 - 1791)
Lucio Silla
Lucio Silla covets Giunia, the daughter of his enemy Marius. Giunia, however, loves the exiled senator Cecilio. Mozart, barely sixteen, drew inspiration from the torments of the young Roman dictator to embody the vagaries of his own adolescent moods as they shifted between the peril of loving and the pain of living. His music explores human suffering with disconcerting agility and offers luminous arias, light as air. Closer to the Beethoven of Fidelio than the great operaseria of his time, Mozart made the opera into a precursor of the Romantic aesthetic. Steeped in the tumult of creation, he wrote to his sister: “I do not know what I am writing, for I can think of nothing but my opera and I am in danger of writing down not words but a whole aria”. The Argentinian counter-tenor Franco Fagioli is joined by Olga Pudova, Paolo Fanale, Chiara Skerath and Ilse Eerens who lend their voices to this gripping work, accompanied by Insula orchestra, the young Paris choir and the Arnold Schoenberg choir at this concert at the Theater an der Wien.
COPRODUCTION PHILHARMONIE DE PARIS, INSULA ORCHESTRA
Franco Fagioli, Cecilio [photo]
Olga Pudova, Giunia
Alessandro Liberatore, Lucio Silla
Chiara Skerath, Lucio Cinna
Ilse Eerens, Celia
le jeune chœur de paris
Arnold Schoenberg chor *
Insula orchestra
Laurence Equilbey, conductor
Rita Cosentino, concept and stage direction
Apr
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25
Apr
27
Apr
29
May
2
Beethoven Eroica
Fauré/Mendelssohn
Fauré’s Requiem, Sky burial
Haendel, The Messiah
The Messiah at the Kennedy Center
Beethoven, Symphony n° 9
Mozart Requiem / Yoann Bourgeois
Clara Schumann / Louise Farrenc
Franz Schubert / Emilie Mayer
Schubert, Symphonies “Tragique” “Inachevée”
Mozart, Symphonies
Bach, from abyss to light
Fauré, Mélodies & Requiem
Beethoven Wars