Johann Sebastian Bach
Ouverture pour orchestre n° 4
Motets « Komm, Jesu, komm » et « Jesu, meine Freude »
Cantate n° 131 « Aus der Tiefen rufe ich, Herr, zu dir »
Cantate n° 72 « Alles nur nach Gottes Willen »
Carl Philipp Emanuel Bach
Heilig
Darkness, appeasement and redemption are the themes of numerous motets and cantatas in the work of Johann Sebastian Bach, whose position as Cantor led him to produce dozens of works dedicated to Lutheran worship every year. Alongside Insula orchestra and accentus, Laurence Equilbey reinvents this liturgical material to give life to the flamboyance of Bach’s choirs and the refinement of his polyphonic writing.
Sheva Tehoval*, soprano
Emmanuelle de Negri**, soprano
Rose Naggar-Tremblay alto
Gwilym Bowen tenor
Victor Sicard bass
accentus
Insula orchestra
Laurence Equilbey conductor
* Sheva Tehoval will sing at La Seine Musicale
** Emmanuelle de Negri will sing at Festival d'Auvers-sur-Oise and Festival de Beaune
Beethoven Eroica
Fauré/Mendelssohn
Fauré’s Requiem, Sky burial
Haendel, The Messiah
The Messiah at the Kennedy Center
Beethoven, Symphony n° 9
Mozart Requiem / Yoann Bourgeois
Clara Schumann / Louise Farrenc
Franz Schubert / Emilie Mayer
Schubert, Symphonies “Tragique” “Inachevée”
Mozart, Symphonies
Fauré, Mélodies & Requiem
Beethoven Wars